Boris Continuum Complete v8.0.3 For CS6 (Win and Mac) – XFORCE

鲍里斯连续完成8曝光提供最全面的特效插件在Macintosh和Windows版本的AdobeAfter Effects和Premiere Pro中CS6的,CS5.5,CS5中,CS4中不断创造套房
高达200+过滤器,包括3D粒子特效,图像恢复工具,镜头耀斑和灯,钥匙和遮罩,3路颜色分级和其他颜色校正工具,基于时间的影响,如光稳定剂,经透视效果,模糊,发光,和影院效果。所有过滤器采取互动效果设计经验,无论多处理或OpenGL硬件加速的优势
 
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Boris Continuum Complete 8 AE delivers the most comprehensive VFX plug-in suite ever created for Macintosh and Windows versions of Adobe After Effects and Premiere Pro CS6, CS5.5, CS5, and CS4
A whopping 200+ filters include 3D particle effects, image restoration tools, lens flares and lights, keys and mattes, 3 Way Color Grading and other color correction tools, time-based effects such as Optical Stabilizer, warp and perspective effects, and blurs, glows, and cinematic effects. All filters take advantage of either multi-processing or OpenGL hardware acceleration for an interactive effects design experience
BCC AVX 8.0.3 – What’s New:
• Support for Media Composer 5.5
• Fix for sporadic problems with black frames when rendering in 16bit.
• Fix for jitter in Optical Stabilizer in interlaced formats.
• Support for Photoshop (PSD) files in Pan and Zoom.
• Burnt Film now works as a proper auto-animating transition.
• Numerous additional bug fixes.
BCC AVX 8.0.3 – Known Issues and Limitations:
Known issues that are specific to Mac OS:
• On Mac OS, BCC AVX cannot open presets that use names with non-ASCII text characters in them, and saving a preset named with non-ASCII characters will result in a file with unexpected garbage characters in the name.
• On Mac OS, loading an external media file from a folder named with non-ASCII text characters will fail and can result in unexpected behavior.
• When taking an Avid project that uses BCC 3D Objects created on Mac MC 5.5, and opening that project in MC 6 (Mac or Windows) Texture Files or Bump Files referenced in the 3D Objects’ materials will not be found by the plugins and will need to be manually reset to get the effect to appear as expected. (In this case a warning is displayed.)
• When using the 3D Objects category of effects on Mac OS, enabling the “Transparent Object” checkbox will result in the object becoming fully transparent (so this feature is not useful on Mac).
• Running the Avid FX uninstaller on a Mac OS system with BCC AVX 8 installed can cause the BCC 3D Objects filters to render black or behave unexpectedly. BCC AVX 8 must be reinstalled to correct this.
• Loading Pixel Chooser subpresets doesn’t change the values of the pixel chooser parameters.
Known issues that apply to both Mac OS and Windows OS:
• BCC RT Wipe transitions are reversed (meaning the outgoing and incoming sources are swapped). This means that when using the RT versions of these wipes it is necessary to manually keyframe the transition (rather than using the Auto Mode) to get the correct result.
• BCC RT filters show color shift when Safe Levels checkbox is enabled. This means that it is necessary to disable the Safe Levels checkbox for the RT effects to get the correct output. If it is necessary to limit the levels of these effects it must then be done as a post process.
• BCC AVX effects use contextual controls so that depending on the context, parameters (sliders, checkboxes, angle dials, and popup menus) which will have no effect on the output of the effect in a given context are hidden (not displayed in the effect editor window). However, in BCC AVX you may find that sometimes such parameters unexpectedly become unhidden (and appear) while adjusting another control.
• If you create a custom spline Pixel Chooser region and then load a color gradient sub-preset (e.g. in BCC Colorize), the custom spline data will disappear. You can work around this issue by hitting Undo if necessary to recover the custom spline data and then saving a pixel chooser sub-preset, at which point you can load the color gradient sub-preset without losing the custom spline data. (Note you don’t need to reload the custom spline pixel chooser preset – just the act of saving it will itself commit the change and prevent it from disappearing when loading the color gradient sub-preset.
• The Beat Reactor audio graph becomes less accurate as the Freqeuncy Resolution is increased to high values. As a temporary workaround use low values near the default setting of 32.
• In filters with more than one Motion Tracker point (e.g. BCC Witness Protection), saving/loading the motion tracker data only works for the first tracker point.
• In Optical Stabilizer when using the Smoothing mode with AutoScale enabled, black borders can appear on the edges of the clip if the Smoothing Range is modified after the clip is analyzed. As a temporary workaround you can set the Smoothing Range prior to analyzation or you can force reanalyzation after changing the Smoothing Range by increasing the Stabilization Samples parameter in the Optical Flow group by 1 unit.
• When Burnt Film is applied as a transition the Reverse Transition checkbox does not function properly unless the incoming clip is selected in the Incoming Layer control which should happen automatically instead of of requiring this additional manual step.
• When choosing grain profiles in Match Grain, you must first manually enable the Lock Samples checkbox or manually change the Sample Layer to none or the newly loaded grain profile will be ignored.
• Snow sometimes shows differences in the snow pattern between 8 and 16 bit renders.
• Using Image Collection shapes to define particle shapes in Particle Array and Pin Art can show clipping artifacts if the particle size is large and the apply mode is normal. Use alternate particle shapes, smaller particle sizes, and/or the Add apply mode as a temporary workaround.
• BCC LED shows occasional mis-colored dots on Quadro FX 3500 cards.
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[idl id="自定义值" t="迅雷快传115网盘"] AE_V8.0.3-XFORCE   AE_V8.0.3_MACOSX  注册下载 [/idl]

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